Auntie Norma always seemed like the quiet one.
Oh yes, Clementine could always be depended on to unleash stridently worded, politically incorrect or just plain out-there opinions during the lull in any conversation. Auntie Sabrina may have had a sweet voice, but we all knew that she rarely demurred from sharing her opinion on occasion, even forcefully at time.
On the other side of the family there was the legendary mostly-Portuguese (
Puttageez) Auntie Philo (Lawd res’ her soul). If I’ve been told once I’ve been told a hundred times that Auntie Philo could simultaneously suck her teeth and cuss up a storm and break it down better than almost anyone (“RASS gorl, I see ya eyes passin’ me!!!”). We always spoke of Auntie Philo with reverence and referred to her talent for cussin’ with awe.
Sure enough, in this family of mostly strong women who ran the show without or perhaps in spite of “help” from the men in their lives, it should surprise no one if voices occasionally raise or the table receives an occasional pounding. With those strong personalities, it didn’t shock any of the cousins when, for example, Clementine and Sabrina could go for more than a year without speaking (they live just across the state line from each other) over some little-old-Guyanese-lady spat. (According to Clem, “Las’ time we spoke she ‘buse me up good…”)
But sweet little Auntie Norma had always managed to pass herself off as the quiet one.
Norma set aside a career in nursing to raise seven or so kids, all of whom now had families and careers of their own (most in the field of medicine in way or another). Fully retired now, she divided her time between a little flat in Toronto (full of frilly, flowery nick-knacks), and the homes of her grown kids scattered across the USA: Chicago, St. Louis, Seattle, Puerto Rico…
Still, at family gatherings – say, American Thanksgiving – the other siblings and cousins would hold forth with gusto: long-standing arguments would be revived, dusted off and re-had; hands would wave; kids would run wild; miscellaneous neighbors and other interlopers – not part of the family – might wander in and out and randomly join arguments at will; both the TV and the boom box would be blaring and everyone would have to shout over the din.
But sweet little Auntie Norma would sit and chat quietly with whomever was nearby. She might occasionally wander into the kitchen to stir a kettle of bubbling pepper-pot, or show one of the grandkids how to turn
roti. But she always seemed to stay calm and proper. We never saw her with her eyes wide or her hands in the air or heard her voice raised.
But that all changed at the wedding.
Her granddaughter was getting married.
To an Indian guy.
The entire family descended on a suburb of Houston, Texas for a weekend of Guyanese drama. At least 50 or so relatives on Norma’s side, and more than that on the groom’s side. The Indians from India and the Indians from Guyana
en force, each determined to not be outdone by the other in any way. My only regret is that I could not witness the spectacle in person, but instead stayed home with the kids while Fiona participated on-site. Her descriptions via daily calls home had me in stitches.
Apparently Norma came out of her quiet shell, working herself into every possible moment of pre-wedding drama as mother-of-the-father-of-the-bride.
The climax of it all came on the morning of the wedding, though, when Norma put on the dress that she’d bought especially for that occasion. Maybe the department store seamstress hadn’t understood Norma’s English clearly… or maybe Norma hadn’t completely understood something herself (her hearing was going), but didn’t want to let on and so nodded at the wrong moments. Or maybe what looked great in a three-way mirror under fluorescent light, didn’t look quite so good a few weeks later, on the actual day. But either way, moments before she was to leave for the church, Norma decided that that dress just showed
too much cleavage.
Some fast-talking, conniving salesperson had sold her a
shit dress. A
shit dress, I tell you. This is a
shit dress. It didn’t help that the eight-year-old flower girl (one of Norma’s granddaughters) was standing right there, as Norma groused and fiddled and tried to safety-pin the neck line a little higher. Nor did it help that Clementine was also in the room, reminding (with a characteristically raised voice) Norma she had bought the
shit dress all on her own. If anyone was to blame for it being a
shit dress, it would be Norma.
In the end Fiona and Celina (the daughters) intervened, one by escorting the flower girl from the room (it was too late: she was already asking what a “shit dress” was…), the other separating Clem and Norma, helping Norma adjust the (
shit dress) to the point that she felt properly modest and then getting everyone to the waiting car.
* * *
The wedding was beautiful. The granddaughter looked radiant. The swarthy young groom looked handsome and dashing.
In the obligatory photograph of all of the bride’s relatives, you can see a sea of Indo-Guyanese faces, everyone happy to be together again. If you know where to look you can see a couple of grinning little old ladies, dressed to the nines. One of them is Norma. Unless you know to look for a neck line pinned just a little high, you’d never know that the event had ever been anything other than joy and harmony.
* * *
We’d always wondered what Auntie Norma would be like if she ever got riled up.
Now we know.